volume 17, number 2, 2022

Published by The Journal of Creative Arts Therapies, online and open access

© 2022. Each work published in JoCAT is licensed under a CC BY-NC-ND-4.0 license.

ISSN: 2652-9459

JoCAT is a Gold Open Access journal. Due to the funding provided by ANZACATA, JoCAT is freely available, and contributors are not charged open access fees. Individual authors and creators retain copyright of their work and grant access under a Creative Commons licence. The contributions published in JoCAT can be downloaded, reproduced, displayed, performed and/or shared, for non-commercial purposes only, without prior permission, on the express condition that the content is not altered in any way and is properly and fully attributed to individual authors, creators and the journal. Other rights such as publicity, privacy or moral rights may also limit how you use the material. Our authors and creators, and the integrity of their scholarly and creative work, must always be acknowledged and respected. 

Opinions of contributors are not necessarily those of the publisher. The publisher expects authors to comply, makes no representation or warranty that the information contained in articles is accurate, nor accepts liability or responsibility for any action arising out of information contained in this journal.

JoCAT is produced by the School of Social Sciences, Western Sydney University on behalf of the Australian, New Zealand and Asian Creative Arts Therapy Association.

Editorial team

Chief Editor  Sheridan Linnell
Co-Editors  Stacey Bush, Catherine Camden-Pratt, Deborah Green
Arts Editor and Journal Coordinator  Vic Segedin 
Copy Editors / Proofreaders  Anne Gordon, Marie Shannon
Design and production  Vic Segedin

Peer review

The editorial team wishes to thank all the peer reviewers who generously contribute their time and expertise to this edition of JoCAT. Accepted submissions are reviewed by people well versed and respected in the subject or methodology of the submission.

The papers by Christoph Hinkel; Melinda Jane; Elvira Kalenjuk, Pearl Subban, Stella Laletas and Sue Wilson; Leticia Martin, Amy L. Burton, Jane O’Sullivan and Katherine Winlaw; Freya Pinney; and Ying (Ingrid) Wang were double anonymously peer-reviewed.