volume 14, number 1, 2019

ISSN: 1833-9948

The Journal of Creative Arts Therapies (JoCAT) was formerly known as ANZJAT: The Australian and New Zealand Journal of Arts Therapy (2011–2019) and The Australian and New Zealand Journal of Art Therapy (2006–2010).

Back copies of ANZJAT are available to be read free of charge on the JoCAT website.

ANZJAT was originally published by the Australian and New Zealand and Asian Creative Arts Therapy Association, previously known as the Australian and New Zealand Arts Therapy Association (2011–2018) and Australian and New Zealand Art Therapy Association (2006–2010).

ANZJAT content is restricted to ‘fair use’ under standard copyright law, unless the author has retrospectively taken out a CC Licence that appears on the article. ‘Fair use’ is generally taken to mean that reproduction is restricted to single copies of articles that are downloaded or printed off for educational purposes. As with JoCAT, citations of content must be fully attributed to the author and to ANZJAT.

Opinions of contributors are not necessarily those of the publisher. The publisher expects authors to comply, makes no representation or warranty that the information contained in articles is accurate, nor accepts liability or responsibility for any action arising out of information contained in this journal.

Editorial team

Chief Editor Sheridan Linnell
Co-Editors Stacey Bush, Catherine Camden-Pratt, Deborah Green
Arts Editor and Journal Coordinator Vic Segedin
Copy Editors / Proofreaders Belinda Nemec, Marie Shannon
Design and production Vic Segedin

more about the team

Peer review

The editorial team wishes to thank all the peer reviewers who generously contributed their time and expertise to this edition of ANZJAT. Accepted submissions were reviewed by people well versed and respected in the subject or methodology of the submission.

Articles by Carla van Laar; Lucy Bolger and Kirsten Meyer; Jessie Brooks-Dowsett; Louise Morton; Sarah Moore; Jody Thomson; Bettina Evans; and Jordan Williams, Ian Drayton, Owen Bullock and Geoff Grey were double anonymously peer-reviewed.